Andy Warhol - "Flowers" (1964)
Bruce Smith, from "Hungry Ghost"
“…I’m coming to understand
the asymmetrical nature of art, no target, no trigger, no collateral
damage, no one dies from it, one lives with it like a murmur.”
"Thirteen Ways of Looking at a Blackbird" - Wallace Stevens
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
Hilma Af Klint - "The Swan" (1915)
Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg) - Renoir
Berthe Morisot - "Woman at Her Toilette" (1875-1880)
Cat Stevens - "Trouble"
Anton Chekhov, from "Three Years"
“Nina, why don’t you sleep at night?” Laptev asked, in an effort to change the subject.
“Because I don’t, that’s all. I lie in bed and think.”
“What do you think about, dear?”
“About the children, you…about my life.”
Blur - "No Distance Left to Run"
Cannonball Aderley and his Orchestra - "Blue Brass Groove"
Sculpture of Jennie Walters - William Henry Rinehart (1874)
From "A Silent Treatment" - Jeannie Vanasco
“I think back to that first example. I remember unloading the plants Chris and I had picked out from Home Depot (clematis, honeysuckle, black-eyed Susan, chrysanthemum), some of which would attract the hummingbirds [my mother] enjoyed watching. I’d also bought two birdbaths. I hid those in the garage because they were her Easter gift. I then went inside to call downstairs, but her door was locked.
She must have seen the plants on the deck—maybe when she walked [her dog] or took out her trash—and assumed we’d ignored or forgotten her.
I texted: We couldn’t fit everything in the car in one trip. We still planned to take you today.
I repeated this in a letter that I left in her private entryway: I’m sorry I didn’t explain our plans first. We still planned to take you to Home Depot.
It’s easy to say how ridiculous she was being, but it’s harder, and almost unutterably heartbreaking, to see Home Depot’s significance through her point of view. For Chris and me, it was another errand. She looked forward to the trip all week.”
"A Mourning Woman" - Ercole de' Roberti, 15th Century
Minoru Yamasaki - Northwestern National Life Building, Minneapolis (1965)
Los Socios del Ritmo - "Felicidad"
From "The Return of Faraz Ali" - Aamina Ahmad
“He walked out into the garden, which was small but well tended. There were new trees, and the lawn was lush and green. Swept up in the celebration of his return, he’d forgotten how foul, how filthy he was from the travel, the camp. He felt it now. He took off his shoes. In the camp, he had spent a long time wondering what he would do when he got home. What is the first thing, the men liked to ask one another. Food, sex. And it was true, in prison you recognized the appetites you were denied; you longed for those things above all because after a time you got used to not having them, your longing declining, and in that decline you recognized you were not the man you were before. You feared you would never be that man again. What had he thought of? The same, yes, of course, but also this: the outline of the trees in the evening, the cool grass against his feet, an open door, and walking through it and back in again as he pleased.”
Warplanes in formation over battleships, Minneapolis Lobby
Cover Page - James Wright - The Branch Will Not Break
James Wright - "A Blessing"
Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl’s wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.
